KPFT LSB Election Results
Congratulations! The new members of the LSB are as follows:
Listener
Bill Crosier
Robert L. Mark
Wesley Bethune
DeWayne Lark
Susie Moreno
Nancy Hentschel
Mike Jones
Herbert Steptoe
Nancy Saibaria-Naritomi
Staff
Ronald Reynolds
Rhonda R. Garner
Liana Lisa Lopez
Pacifica Radio Archives, DeShazor Win Bader Award
The Pacifica Radio Archives and Brian DeShazor, its Director, will be honored by the National Federation of Community Broadcasters with the 2010 Bader Award.
The Pacifica Radio Archives assess, preserve and make available to the widest possible public, historic radio programs of the highest social, cultural and artistic value in its collection of approximately 40,500 original audio tapes. These programs, mostly dating from the 1950s through the 1980s, document the essential movements, experiments and musings of the latter half of the 20th century, as broadcast on one or more of the Pacifica Radio Stations: KPFA in Berkeley, California; KPFK in Los Angeles, California; KPFT in Houston, Texas; WBAI in New York City; and WPFW in Washington, DC. The Archives project began was commenced in 1973.
Mr. DeShazor began his work with Pacifica in 1998 when he came to the Archives as a temporary worker. In 1999 the Foundation was in turmoil with a takeover and lockout, and he was one of the few people in the Foundation who saw the intrinsic value in these Archives, materials worthy of being protected and preserved. He immediately began his work with his mentor, Adi Gevins, on preserving the tapes. In 2002 Pacifica Radio embarked on a long-term preservation & access project. They were granted small sums from the National Endowment for the Arts and the Grammy Foundation. With these grants, DeShazor and the staff were able to bring in consultants and shape the Archives into what they are today. The Archives can be accessed at www.Pacificaradioarchives.org.
Much of the success of these Archives is due to Mr. DeShazor’s sheer passion for the project. He described his connection this way: “These recorded histories have never been accessible to the general public. These recordings document civil rights and liberties which are not taught in schools. I am so privileged to have access to this education and I am humbled to be able to share it. Community radio possesses so much that is worthy of preservation and legacy.”
NFCB is honored to present this award to the Pacific Radio Archives and its Director, Brian DeShazor. Debbie Benedict, NFCB Board Chair and General Manager of WTIP in Grand Marais, Minnesota said, “The Pacifica Archives represent an extraordinary asset not only for Community Radio, but for the American people. The NFCB Board places high value on the preservation of our history. We are grateful to Brian and his staff for the loving care they have given to these precious resources.”
The Bader Award is given annually for a single stunning innovation or a lifetime of vital contributions to Community Radio. This award honors individuals or groups whose work has advanced the vision and values of Community Radio, whether in programming, management, infrastructure development, technology or development of the field. The winner is chosen by the Board of Directors of the National Federation of Community Broadcasters.
Mr. DeShazor will be presented with the award at the 2010 Community Radio Conference, June 9-12 in St Paul, Minnesota. Previous Bader Award Recipients include: John Crigler (2009) of Garvey Schubert Barer, Hugo Morales (2008) of Radio Bilingüe, and Ellin O’Leary (2007) of Youth Radio.
The National Federation of Community Broadcasters is an alliance of stations, producers, and others committed to Community Radio. NFCB advocates for national public policy, funding, recognition, and resources on behalf of its membership, while providing services to empower and strengthen community broadcasters through the core values of localism, diversity and public service.
KPFT Ballot Count Seeks Volunteers
From KPFT Election Supervisor Ann Shaw:
We will be counting ballots for the 2009 Local Station Board Elections this week!
WITNESS AND HANDS-ON VOLUNTEERS ARE NEEDED AND GREATLY APPRECIATED.
Counting will take place at the upstairs meeting room at
CENTRAL MARKET at 3815 Westheimer, at the corner of Westheimer and Weslayan.
Noon to 7 p.m. on Friday, November 13th
5:30 to 10 p.m. on Saturday, November 14th
8:00 a.m. until 2 p.m. on Sunday, November 15th (as needed)
The ballot counting process is open to all.
If you would like to volunteer, it would be most helpful if you could let me know ahead of time by email at election@kpft.org or phone – 615-967-6990. However, you are more than welcome to come to Central Market during the designated times and volunteer without signing up in advance.
(Note: Since we can only estimate the time needed to complete the counting process, we cannot guarantee that we will at Central Market for all the time allotted, so please feel free to call me at the above number before you head over.)
Candidates are welcome to witness but may not process (touch) any ballots.
Once the ballots have been counted and the results certified, I will email all KPFT members with the official results and post the information on the KPFT website.
The protocol for the vote counting process is detailed below.
Questions? Please contact me at election@kpft.org, or at 615-967-6990.
Thank you for your support of KPFT.
KPFT Seeks Phone Volunteers
From Volunteer Coordinator Eddie Garcia:
The KPFT Fall Pledge Drive started this weekend and is running everyday until Saturday, Nov. 14.
We’re already having an awesome time talking with our listeners, volunteers, programmers and staff. If you haven’t had the chance to volunteer during a pledge drive, it’s a great time to get to know the KPFT family better.
The pledges are coming in like crazy and we’re still short on Phone Volunteers during weekdays and evenings.
We need your help and we’re asking YOU to sign up. Join us and enjoy the great conversations, many laughs and delicious food!
The schedule for phone volunteering is flexible: including mornings, evenings and weekends. We can use your help especially between 8:30 am – 12 noon or 5:30 pm – 8 pm on weekdays.
We also have volunteer openings anytime between 6:30 am and 11 pm any day of the drive, including weekends. Call or contact us to find out what times are still available.
Sign up now to ensure that every call that comes in with a donation to KPFT will be answered by a friendly voice. Be sure to contact Eddie at volunteer@kpft.org or 713-526-4000, ext 316 so that we can coordinate full coverage throughout the drive.
Get the word out to your friends and contacts that we will have another special Training for new Phone Volunteers this Wednesday, Oct. 28 from 6 pm to 6:45 pm here at the station, 419 Lovett Blvd.
Hot Air Open Deadline Approaching
Whether you’re a serious golfer or a proud duffer, you want to be playing in KPFT’s 2nd Annual Hot Air Open, Sunday November 8 at Southwyck Golf Club, 2901 Clubhouse Dr. Pearland 77584, 713.436.9999. (map).
It’s still not to late to register as a player or to become one of our sponsors!
$100 Entry Fee per person - To Register, download a registration form and mail it in.
All Entries Include: T-Shirt, Dinner, and beer courtesy of St. Arnolds – After party with music and a silent auction.
For any questions, call Sandra at 832-368-6832 or Shelly at 832-368-6604. And of course, all is revealed at the Hot Air Open web site!
Pacifica Radio Archives Preserved Tapes Now Online
The Pacifica Radio Archives is proud to announce the Pacifica recordings preserved thanks to a Preservation and Access grant funded by the GRAMMY Foundation are available online.
The programs that include poetry, music, spoken word, lecture, radio documentary and interviews, represent the best of what Pacifica Radio has contributed to the recorded arts and sciences. Of the 300 recordings preserved, 27 programs of exceptional quality and significance are available to listen to for free.
Please take a moment to browse these titles and maybe take a listen, and maybe make a donation.
Pick Up Great Gifts at Our Sister Station’s Auction
Visiting the Washington, DC area? Or just want to help out KPFT’s sister station? WPFW is doing its annual online auction now. You can pick up a variety of very cool memorabilia, including jazz classics, artwork and historical photographs.
Click here to review items up for auction and to place a bid.
Summer Sizzle is On, Plus SoundAwake
Summer Sizzle is on and continues from today through next Wednesday. It’s a short one, and we need your support for community radio. 713-526-5738 is the pledge line.
Also, Jeffrey Thames, host of SoundAwake, got props online for his Popdose 1980s’ program. Check it here, and don’t forget to pledge for SoundAwake as well as all of KPFT’s awesome programs.
Duane Bradley Responds to Listener Questions
General Manager Duane Bradley and I have been fielding listener questions and comments live on air every morning since the schedule change Wednesday. Visit KPFT’s website to hear those Open Journals. Meanwhile, we get many email questions. I posed two email questions to Duane for his feedback. You can hear the verbatim answers here. However, here are Duane’s remarks to your email questions.
“Music is everywhere on the dial. Why would KPFT put music on during the day?”
From Duane: KPFT wants to provide a consistent sound and alternative to what is available. Virtually all the music on KPFT is unrepresented elsewhere on the dial, providing a glance at the different cultures and perspectives in our area. This change is also a nod to how people use media, where they may not be able to focus on lots of information during the business day.
“Isn’t it KPFT’s job to counter right-wing AM talk radio?”
From Duane: Technically no, though it is one role we serve. KPFT is here to perform a service for many voices, to create understanding and serve the mission. If part of that service takes the form of being something different (which often entails being a unique voice from the conservative talk programming elsewhere) that is what we do. However, Pacifica’s history has been one where a space for dialogue is a value, where far left and far right could be on the air. [Late Secretary for Defense under President Ronald Reagan] Caspar Weinberger hosted a program at our parent station, KPFA, many years ago.
Join us tomorrow morning, 9:06-9:25, as we continue taking your calls on the new schedule and programming.
Replies to Common Questions About the New KPFT Schedule
As promised, I wanted to give you replies to listener email messages about the KPFT schedule change.
KPFT just embarked on the most significant schedule change in nearly 10 years. General Manager Duane Bradley and I received lots of listener questions and comments about the new program schedule. At last count, I had about 150 email messages about the new grid. Duane had a sizable number as well. Many questions and comments touched on similar themes.
Some of the more common questions received:
“What problems contributed to this change?”
Essentially our former schedule was no longer viable. Struggling fundraising numbers and audience declines on weekdays were the major reason for the new schedule. The basis of this information was diverse: fundraising histories, Arbitron reports, listener surveys and input from KPFT’s Program Council were just a few. KPFT also got feedback from Pacifica’s national board and interim executive director that immediate changes were needed.
“Why use Arbitron?”
The community service of many noncommercial stations (including how many people one reaches and the diversity of the audience) is measured by Arbitron numbers, among other tools, by many entities.
“Why change the current schedule of morning and afternoon music?”
KPFT management studied weekday programming, reviewing listener support and Arbitron data. In that study, we noticed consistent downward support and audience declines for morning and afternoon drivetime music programming. Though it is true locally produced weekend music programming sees strong audience and pledge drive support, this generally was not the case for weekday morning and afternoon drive music. Management has stood by drivetime music for many years. We appreciate many sentiments, such as enjoying music on the drive in to work. However, we proposed a big change to morning and afternoon drivetime because listeners have spoken clearly with the existing data that a change in direction is necessary.
“Does this schedule marginalize talk programming?”
No. Talk programming has moved from the mid-morning and mid-afternoon, when fewer people can listen, into morning and afternoon drivetime. Placing these programs in their new places gives them unprecedented access to radio listeners and gives all an opportunity to connect with a new audience. What’s more exciting is these programs, (Whole Mother, the Peace Hour, People of Earth, Eco-Ology, Thresholds and Living Art in the mornings; Growing Up in America, Earth 101, Connect the Dots, New Capital and Partisan Gridlock in the afternoons) offer a lot more than the bad-news block on television or dull fare elsewhere at these times. Given the need for change, this evolution was natural.
“Does this schedule marginalize music programming?”
No. KPFT is responding to music fans’ requests by bringing back longtime KPFT favorites Roark Smith and the World Cafe. We are basing these programs on genres most KPFT music listeners often ask us to feature. Regular non-commercial radio listeners will likely recognize the proposed schedule as one stations like KPFT utilize across the country. The goal of this kind of schedule is to give audiences what is often asked for: information in drivetime and music to listen to during the day while at work. As KPFT looks to retain its current audience and draw in new listeners, we hope our faithful listeners will take this journey with us.
“Aren’t you just competing with radio and television?”
Yes, and we should be. KPFT has, in the past, competed with other stations by not competing — ceding blocks out of deference to fellow public radio travelers. However, with so much wonderful programming that should be featured prominently, KPFT has to be a station actively offering that alternative directly. Why listen to homogenized corporate radio when you can listen to the passion of community radio? We hope to provide options to Houstonians. Moving old programs to new spots offers a spectacular chance to help new listeners discover great music, informative guests and what radio was meant to be.
“Will there be space for local artists?”
Yes. KPFT has always supported local musicians and artists with airtime. Expect to in-studio performances to continue and to grow.
“Please do not mess with the weekends!”
This new schedule primarily affects weekdays, 5 a.m. to 7 p.m. Notable exceptions include addition of the Houston Association of Acoustic Musicians’ new program HAAM Presents the Songwriters’ Studio on Sundays after the Bluegrass Zone at 6 p.m., while the Monitor moves to Monday nights at 7.
“Why not do XYZ genre of music instead of ABC music?”
KPFT brings a variety to the dial no other station can claim. Where else can you get Tejano, blues, hip-hop, Caribbean, Cajun, metal, ambient, soul, folk and so much more during a week? KPFT management is committed to satisfying our listeners. While KPFT is the only station in Houston so open to musical experimentation, we seek to build on our most successful programming by giving the majority of listeners what ask for and support, and to feature it in the best spots we can. You will always hear the odd genre and things you have never heard before on KPFT, as well as the stuff you love.
“Isn’t this schedule just a rehash of the Sound of Texas schedule from the 1990s?”
No. Duane Bradley mentions that the weekday program schedule he inherited as general manager in January, 2002, was the following:
- 6-8: Music
- 8-9: BBC
- 9: Democracy Now!
- 10-1 Music
- 1-3 World Cafe
- 3-6:30 Music
- 6:30-7: Pacifica Network News
While BBC, Democracy Now!, World Cafe and Roark Smith were on the air during that time, the comparisons end there. The Sound of Texas period had 2.5 hours news/public affairs programming daily on weekdays (6-7), no local news/public affairs and 10.5 hours of music per day. The new schedule features seven hours of news/public affairs programming (including Open Journal, which occasionally hosts music, and local news) and five hours of music per day.
“I won’t renew my membership because of this.”
The most common refrain to schedule changes are comments from unhappy listeners that they will no longer support KPFT. This change was tough for everyone. It is the biggest change in years, and sometimes change leaves everyone unsettled. KPFT is community radio. We depend on listeners for support. We have great programs that hopefully draw you in to listen to the sounds KPFT has to offer. However, we hope you support KPFT not just for one program, but because having this kind of option is a value you appreciate. In Houston, with so few outlets like KPFT, this sort of radio is something we hope you see the need for having beyond one program or two. KPFT rises above the mish-mash of shock jocks, corporate playlists and salacious gimmicks. We give you inspiring radio that lifts your spirits, informs you, gives you hope, sometimes makes you mad, and hopefully more often than not makes you smile. Of course, we cannot force you to pledge or stop you if you don’t want to pledge, but please remember the medium’s overall worth as a choice on the dial.
Please keep questions coming. If I missed yours, please send it over or post in comments.
